Who's Who at Artnet
International
Josef ALBERS
Roger BEZOMBES
Maris BISHOFS
Patrick CAULFIELD
CORNEILLE
Jean Michel FOLON
Sam FRANCIS
Jef FRIBOULET
Sir Terry FROST
Marinus FUIT
Yoshisuke FUNASAKA
Rodney GLADWELL
George GUEST
David HOCKNEY
Joichi HOSHI
Patrick HUGHES
Wako ITO
Jasper JOHNS
Allen JONES
Clifton KARHU
Jeremy KING
Henri MATISSE
Rokusho MIZUFUNE
Yoshitoshi MORI
Robert MOTHERWELL
Claes OLDENBERG
Christopher PENNY
John PIPER
Robert RAUSCHENBERG
Ceri RICHARDS
James ROSENQUIST
Toko SHINODA
Joe TILSON
Mark TOBEY
Feliks TOPOLSKI
Julian TREVELYAN
Henri VAN NESS
Joan Pere VILLEDECANS
Koichi YAKOMOTO
Anthony BENJAMIN
Okiie HASHIMOTO
Keith HARING
Tetsuro SAWADA
Bruno LETI
CLAES OLDENBURG USA/Sweden 1929 -
An artist who believes in the interpretation and interrelation of art and life, Claes Oldenburg is famous for his multimedia performances and artistic projects rooted in popular culture that mirror the human experience in surprising and sometimes unsettling ways. We are fortunate to have several signed, numbered lithographs from Oldenburg's original Notes in Hand in which he uncovered the mystery and power of commonplace objects by morphing their scale, shape, and texture, embracing what he calls “the poetry of everywhere” The artist’s inventive working process is cumulative. He orders his impressions of the world through sketches and writings in his ever-present notebooks; models and drawings form another layer of thinking. Some ideas are realized as sculptures, ranging from the intimately scaled to the monumental, while others undergo a years-long period of study and change. Born in Stockholm in 1929 and raised in Chicago by diplomat parents, Oldenburg moved to New York in 1956. In 1960, he staged his first major project, entitled The Street, at the Judson Gallery Notes in Hand is a mini work of art itself and was published by Petersburg Press in 1971. Claes Oldenburg kept a series of pressure binders in which he mounted scraps of paper and drawings, and made notes. This selection of fifty pages from his notebooks is colorful and playful, with his scribblings decoded on the facing pages. At the end of the Petersburg book, there are notes on which of the pages were eventually the inspiration for completed works.
Claes OLDENBURG USA
Body Buildings 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
Different Forms of Wax 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
Cheese and Biscuit 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
Desolate 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
front cover 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
Sausage 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
Spread 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
Claes OLDENBURG USA
Soft Pencil Sharpener 1968
From “Notes in Hand”
Lithograph 11/125
130 x 195 image size
210 x 150 paper size
$000
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